Friday night at the home drive-in: Tarantula (1955) by #JackArnold w/ #JohnAgar #MaraCorday #LeoGCarroll #NestorPaiva #ClintEastwood (!) & more! "Bullets Can't Stop It! Dynamite Can't Kill It!… Even Science was stunned!" #Horror #SciFi #GiantMonster #NotQuiteClassicCinema pic.twitter.com/fIEbEkukAK
— Angus Kohm (@AngusKohm) December 28, 2019
I’m almost certain that I first saw this movie on Not Quite Classic Theatre back in the 1980s. For those who don’t know, Not Quite Classic Theatre was the late night movie show that really solidified my love of old monster movies (and other B-horror films). I wrote about it a while back, to explain my use of the #NotQuiteClassicCinema hashtag.
I don’t specifically remember Tarantula (1955) being on that show, but it is so exactly the kind of movie that I saw week after week, that I feel it must have been. I do remember a couple of other specific titles which were aired (Monster on the Campus (1958) & The Monolith Monsters (1957)). They were produced and released by the same company as Tarantula (Universal Pictures). I suspect that Universal sold a package of films to Not Quite Classic Theatre, and it makes perfect sense that Tarantula would have been part of it.
In any case, I first saw Tarantula on late night TV many, many years ago. Watching it at the home drive-in last Friday was a wonderful blast from the past. It took me right back to my younger days, when giant spiders and other bugs were totally new to me. It’s movies like this that made me want to make movies (or at least be a writer). Unfortunately, I fell into a deep, dark hole of theatre and playwriting which took me about as far away from giant monsters as a writer can get.
I remember a good friend of mine, who I perceived as a very successful playwright, once giving me this piece of advice: “Write want you want.” I took it to mean that he had fallen into his own deep, dark hole where he was constantly being asked to write things that he was uniquely qualified to write, but did not excite him. He must have felt trapped; unable to turn down the paycheques. I did not have that problem back than. No one was paying me to write stuff, and it seemed like a pretty good problem to have….
…but now I find myself looking back on 20 years spent writing things that I did not care about.
Okay, that’s not quite true. I found a way to care about everything I worked on, and I wanted them all to be the best work I could do. However, they were always somebody else’s idea; somebody else’s dream project. In most cases I was paid for my work (often not enough, mind you), and that is a good feeling (and helps to pay the bills). Unfortunately, many of the projects I worked on never saw the light of day. But even if they had, they would have been somebody else’s babies, not mine. In retrospect, I have to wonder if my time would have been better spent writing B-movies like Tarantula. No one would have been paying me, but I certainly would have had more fun with them. And when they were done, they would have been all mine, to do with as I pleased.
“Write what you want.” I should have paid more heed to those words. At least I can revisit movies like Tarantula and be transported back to a time in my life before I had made those mistakes. Is it possible to go back for real, and become the person you were always supposed to be? I’m not sure. But I am sure that Tarantula (1955) is a masterpiece of #NotQuiteClassicCinema and I will be using it to travel through time again in the not too distant future…