Trash Or Terror Tuesday: Psychos in Love (1987)

It’s time for #TrashOrTerrorTuesday

…when I examine a film that’s been languishing in my personal library to determine if it is #Trash or #Terror

– or more importantly, if it deserves to stay in my collection.

And so, out from the dusty shelves of #VHS tapes comes…

Poster art for Psychos in Love (1987)Psychos in Love (1987) by #GormanBechard

w/ #CarmineCapobianco #DebiThibeault

A strip-joint owner and a manicurist find they have many things in common, the foremost being that they are psychotic serial killers.

“”Love hurts…””

“A Deliciously Wicked Comedy”

#Horror #Slasher #Comedy
#TrashOrTerrorTuesday

I first rented  Psychos in Love (1987) with a friend in the late ’80s and we thought it was pretty darn hilarious (or was it darned hilarious? Either way, it made us laugh). We also found it inspiring, as we dreamed of making low budget horror films for the direct-to-home-video marketplace. A pretty modest dream when you think back on it, but at the time it seemed like a great way to break into the business. We eventually wound up shooting (parts of) a couple of really bad horror films on 8mm video, but sadly we never managed to finish and get anything distributed. The market had pretty much dried up by the time we were anywhere close to done, so it may be just as well that our projects crashed and burned – but that’s another story.

Psychos in Love seemed like a very low budget film, but it was funny and had some pretty decent gore. Since discovering the films of Mel Brooks at a very young age, I tended to gravitate toward the satirical in my own writing, so I appreciated the spoofy tone of Gorman Bechard and Carmine Capobianco’s script. I was also a HUGE fan of slasher films, so this movie seemed to be everything that I would have wanted my own no budget movies to be.

A few years later, I picked up a VHS copy of Psychos in Love in a bargain bin and added it to my library. Watching it again as an adult, I remember thinking that it looked even cheaper than I had remembered – but it was still an entertaining watch. Many years have gone by, and still that VHS tape sits on my shelf. I remember the movie fondly, but I never fire up the VCR and watch it. So, it’s time to put it to the #TrashOrTerrorTuesday test…

It does look cheap. And it makes good use of low budget techniques like having actors talk directly into the camera (almost foreshadowing crappy reality TV). It’s still funny, although not up to the level of Mel Brooks. The gore is still pretty impressive, all things considered. Story-wise, it seems to flatline for a long time in the middle. The beginning is pretty strong, but it quickly degenerates into a series of anecdotes about killing people. Each one, taken on its own merit, is entertaining. But the story simply isn’t moving forward. When the climactic sequence finally begins, it feel like it should have started much earlier, and had more to it. As it is, it’s pretty simple, and the movie ends rather abruptly. It doesn’t feel satisfying.

Having said that, Psychos in Love is a whole lot of fun in spite of its structural shortcomings. It should also be noted that it really delivers on the sleaze front. One of our main characters runs a strip club, after all, and there is plenty of nubile flesh on display. Depending on your point of view, this could be something to admire or to criticize. On #TrashOrTerrorTuesday, we always consider it a plus.

So what’s the verdict?

I would have to say that Psychos in Love (1987) is somehow both #Trash and #Terror. Okay, it’s not scary at all – but it’s not meant to be. It’s a zany, over-the-top comedy, and it succeeds at that better than many bigger budget films I could name. Psychos in Love supplies enough trashy fun to satisfy most discerning connoisseurs of #Trash  – and then some. And for aspiring, low budget filmmakers, I think it could still provide inspiration the way it did for me all those years ago. This VHS tape is a keeper.

Trash Or Terror Tuesday: Pulse (1988)

It’s time for #TrashOrTerrorTuesday

…when I examine a film that’s been languishing in my personal library to determine if it is #Trash or #Terror

– or more importantly, if it deserves to stay in my collection.

And so, out from the dusty shelves of #VHS tapes comes…

VHS box for Pulse (1988)Pulse (1988) by #PaulGolding

w/ #CliffDeYoung #RoxanneHart #JoeyLawrence

A son tries to warn his dad and stepmom that they are being menaced by an intelligent pulse of electricity.

“It traps you in your own house… then pulls the plug.”

#Horror #SciFi

#TrashOrTerrorTuesday

 

Not to be confused with Pulse (2001) – a Japanese horror films also know as Kairo – or the American remake, Pulse (2006) – which led to the sequels Pulse 2: Afterlife (2008) and Pulse 3 (2008) Pulse (1988) is a movie that I remember fondly from the dying days of the 1980s, but seems to be largely forgotten. In fact, I may have been the only one on the planet who, upon hearing that the movie Pulse (2006) was coming out, said “Is that a remake of the one with that Joey Lawrence kid?”

No, it’s remake of the Japanese film Kairo, someone told me.

“Was Kairo a remake of the one with that Joey Lawrence kid?”

I was almost kicked out of the horror movie appreciation society…

Just based on my own experience, it seems like Pulse (1988) is not remembered by many people, and was probably not a big success when it was released. But it feels like it should have been – or was designed to be. Since I hadn’t seen it in years, I decided to put it to the #TrashOrTerrorTuesday test…

Pulse (1988) is a PG movie, and I dare say it’s pretty family friendly. I think it was going for the same vibe and/or audience as movies like Gremlins (1984) and The Goonies (1985). I might even go so far as to suggest that the filmmakers had Poltergeist (1982) on their minds when they conceived of this one.

Pulse (1988) takes place in a picture perfect (almost Spielbergian) suburban neighborhood and features a family being menaced by electricity in their house. Their TV set is featured prominently in the mysterious action, which automatically gives me flashbacks to Poltergeist. The story is ultimately very different, but I suspect the producers would have been thrilled to capture even a small percent of Poltergeist‘s success. 

Just to be clear, Pulse (1988) is nowhere near as good as any of these other films that may have influenced it. However, it’s actually a pretty good movie, with a great cast, some state of the art ’80s special affects, and a few genuinely suspenseful and scary sequences. I would have loved it as a twelve year old and, as someone who is a little bit older than that, I still enjoyed it quite a bit.

So what’s the verdict?

I would have to say that Pulse (1988) is a medium #Terror. Especially good for younger viewers, and those with a yen for healthy dose of 1980s nostalgia. I will be hanging onto my VHS tape for whenever I need my next fix.

Friday Night At The Home Drive-In: The Last Dragon (1985)

Back in the 1980s, my friends and I would rent movies and hang out on a regular basis. There were certain types of movies that we would rent more often than others: horror films, action films, and sex comedies like Porky’s (1981) and Spring Break (1983). When it came to action films, we had a particular love for vigilantes and revenge stories. We also had a love of martial arts.

In real life, one of my friends signed up for Tae Kwon Do classes, and he eventually talked me and another friend into joining him in this pursuit. This increased our interest in martial arts infused action films. We saw Bruce Lee films, we saw fake Bruce Lee films (starring Bruce Li or Bruce Le). We also saw other, strange kung fu movies from the ’70s that I can’t even remember now (other than a few, brief images). We saw ninja movies. We even went to the theatre and saw something called Challenge Of The Ninja – but we were disappointed to discover that it wasn’t a ninja movie at all. It was another strange Hong Kong movie, which struck us as propaganda about how much better Chinese martial arts were than Japanese martial arts. It may have been Heroes of the East (1978), retitled to cash in on the popularity of ninjas in the ’80s. Looking back now, I’m kind of thrilled to know that I got to see a movie like that on the big screen. 

Of course, Chuck Norris films were also a big deal at that time. This was years before the Chuck Norris jokes became all the rage. In those days, he was just an amazing athlete and an action movie hero. He was even buddies with Bruce Lee in real life, and the two of them appeared together in a film called Return Of The Dragon (1972). At least, that’s what it was called when I saw it. It’s more often called The Way of the Dragon (1972), which answers a question that I had when I was 12. How could this movie be called Return Of The Dragon when it came out BEFORE Enter the Dragon (1973)? In any case, I thought that the final fight between Lee and Norris was one of the greatest I had ever seen. I somehow convinced my Dad to take me to see Lone Wolf McQuade (1983) when it came out, and I thought it was the greatest movie I had even seen. I quickly rented every other Chuck Norris film I could get my hands on. 

I remember seeing the newspaper ads for The Last Dragon (1985). It looked like the kind of movie that my friends and I would appreciate. I’m not sure why, but we didn’t go to see it in the theatre. I might have assumed that it wasn’t around long enough, but someone recently told me that he went to see it THREE TIMES in the theatre. That puts it in the category of a Star Wars movie back in the day. And according to the IMDb, it made quite a big profit at the time: $25,754,284 on a $10,000,000 budget. So that movie must have stuck around the theatres for at least a few weeks. How did my friends and I miss it?

All I can say for sure, is that when it came out on home video, my friends and I rented it immediately. But here’s the weird part: we didn’t like it.

That’s right. We watched the popular and successful martial arts movie The Last Dragon and we didn’t like it.  I think that we were expecting a more ordinary, straight up martial arts action movie. We expected it to be serious – and to maybe include some sort of revenge plot a la Forced Vengeance (1982) or An Eye for an Eye (1981). Instead, we got a comedy, which included a lot of gratuitous music and dancing. I’m not even sure if we realized that it as comedy at the time, or if we just thought it was weird and not serious enough. My single biggest memory of it was that it seemed to be more about music than marital arts. 

I suppose this makes a certain amount of sense when you realize the the film was executive produced by Berry Gordy, who was a record producer, songwriter, and founder of Motown Records. We wouldn’t have appreciated this as teenagers. We just knew that there was A LOT of music in this movie. And it was not the kind of music that we were into at that time. We were big fans of bands like Iron Maiden and Judas Priest. The Motown sound was not cool to us. Over the ensuing decades, my tastes have broadened and I can now appreciate the Motown sound of the ’80s much more than I could back in the day. The nostalgia levels are off the charts when I hear a song like “Rhythm Of The Night” by DeBarge (written by Diane Warren). I probably hated it in the ’80s, but it sounds surprisingly great to me now. And we actually get to see a good portion of the music video in the movie as well. This is particularly poignant for me, as I have recently discovered that one of the featured dancers in the video is Galyn Görg.

For those who don’t know, Galyn Görg was a dancer and an actress who appeared in movies like Point Break (1991) and RoboCop 2 (1990). She was also in a few episodes of Twin Peaks (1991-92), and was a regular cast member of M.A.N.T.I.S. (1994-95). Several years ago, I tweeted about a movie she was in called America 3000 (1986). As I often did in those days, I tried to locate and tag anyone involved in the film. This is harder to do with older movies. Galyn was one of the few that I managed to find in this case. Much to my surprise, she not only liked my tweet (and the subsequent replies to it), but she also followed me. I’m not sure what made her do it. She followed less than two hundred people – in spite of having thousands of followers. But what was even more amazing to me, was that she continued to respond to my tweets from that day forward.

In all honestly, I was not the world’s most savvy twitter use in those days. And up to that point, my tweets would often go ignored. But for the next couple of years, there was one person who I could count on to like most of my tweets – and that was Galyn Görg. I don’t know what I did to deserve it, but I was thrilled. And of course, I liked all of her tweets, too. She even followed @DBrownstoneFilm, which was an account created to promote my documentary (and subsequent feature film project) about legendary Manitoba actress Doreen Brownstone. 

Basically, Galyn Görg was one of my first twitter friends. 

Sadly, Galyn passed away in July of 2020, one day shy of her 56th birthday.

Seeing the video for “Rhythm Of The Night” in The Last Dragon somehow made the film all the more special to me. It’s almost like Galyn Görg is in the movie (although, not really). But even if that had not happened, I loved seeing all of the music and dance sequences this time around. All of the things that made me hate the movie the first time, made me love it now. Vanity, most famous as a singer and protege of Prince, stars as a D.J. (or V.J.) host of a popular TV Show / night club. This is how we get to see so many musical performances and videos. A gangster, who also seems to be some sort of video arcade mogul, wants to force Vanity to play his girlfriend’s video on her show. The girlfriend is played by Faith Prince, and her videos/performances are clearly meant to “bad” – in an entertaining way – but I found them to be absolutely delightful. They are perfect, satirical 1980s avant guard time capsules. And I think in some ways they have aged better then many “serious” pop hits of the ’80s. 

I would be remiss if I didn’t talk about the real star of The Last Dragon. Real life martial artist Taimak plays Leroy Green. There is clearly a lot of serious Bruce Lee homage going on here. Leroy loves Bruce Lee, and there is even a scene in which Vanity’s character plays video footage of Bruce Lee in her club to impress Leroy. The martial arts action in The Last Dragon is solid. Taimak is very clearly the real deal, and it seems to me that he could have been a martial arts movie star. For some reason, that didn’t quite happen (although he did go on to appear in other – often non-martial arts – movies). I’m surprised that my friends and I weren’t more impressed by the action when we watched this film back in the day. I guess it truly was overshadowed by the music and comedy.

One final thought, which comes a bit too close to SPOILER territory for my taste: Leroy is in pursuit of the final level of martial arts mastery, which is called The Glow. At the end of the movie, we see The Glow in action – and I think that this was something else that my friends and I didn’t like. It’s sort of silly, fantasy type stuff; beams of glowing light coming out of Leroy’s hands and body. I don’t want to say too much about it, but I think we thought it was dumb and not at all realistic (keep in mind that we were young and taking real martial arts classes at the time). Like every other aspect of this film that I hated back then, I found that it only enhanced my enjoyment now.

The Last Dragon (1985) is a unique masterpiece of 1980s #NotQuiteClassicCinema that I wish I had appreciated more the first time that I saw it. I’ve lost a lot of decades in which I could have been revisiting and enjoying this film. But then again, maybe that just means that I can enjoy it al the more now – and I surely will on many a #FridayNightAtTheHomeDriveIn in the not too distant future.

Friday Night At The Home Drive-In: Joysticks (1983)

I remember hanging around arcades when I was in junior high school. Whenever we had shops, we had to take a bus to another, larger school where we could learn about drafting, electronics, cooking, etc. This larger school was right next door to a shopping mall. So, inevitably, before and after class we would walk over to the mall to get something to eat, or wander around the stores. There was also an arcade inside this mall. But because we were under 16, we had to apply for a special membership card – which involved having our parents sign a piece of paper saying that they were okay with us blowing all of our money on pinball and video games (or something to that effect).

My parents signed the paper, although I don’t think they were thrilled about it, but truth be told I didn’t play many of the games. I was a cheapskate at heart, and I didn’t like to waste good quarters getting killed by aliens or asteroids in thirty seconds flat. Did I mention that I wasn’t very good at video games? This was mainly due to the fact that I didn’t spend a lot of quarters playing them (so it was a bit of a vicious circle, I suppose). I was better at pinball, actually. I liked the feeling of hitting an actual ball around, and I used to play pinball whenever we went down to Fargo for the weekend and stayed in a hotel. I also had my own pinball machine at home (a toy version from my childhood, but the mechanics were the same as on the big machines). So a quarter would last a lot longer if I put it in a pinball machine than if I spent it on Pacman or Space Invaders. I still played those games once in a while, or course, but not in the obsessive quarter-eating way that some people did. Mostly, I just watched my friends play in that shopping mall arcade. it was a place to hang out and talk about horror films, heavy metal, and all the other important subjects not covered in school.

We also talked about movies like Porky’s (1981) and Private Lessons (1981), which had been huge hits and what you might call “water cooler movies” at our school. I suppose water fountain movies might be a more appropriate term for them, as our school had lots of water fountains but no water coolers. These movies were referred to as “Teen Sex Comedies” by critics like Roger Ebert, and they were generally panned by those critics. But we all wanted to see them because they reportedly featured “naked ladies”, another subject that was of great interest to us but sadly absent from the school curriculum. We were too young to get into the theatres to see movies like that, and we had actually made plans to try to sneak in and see Porky’s one day, but for some reason we aborted that mission. 

In a bizarre twist of fate, my friends wound up seeing Porky’s without me when it was released on VHS and Beta. As I’ve mentioned before, renting movies was a social activity in those days. I never did it by myself. So I didn’t get to see Porky’s until much later. I actually saw Porky’s II: The Next Day (1983) before I saw Porky’s – but that’s another story. 

Teen sex comedies were like slasher films in the early ’80s. There seemed to be new ones appearing in the theatres every week. And the video store shelves were lousy with them. We couldn’t get into the theatres to see them, but my friends and I had no trouble renting movies like Spring Break (1983), My Tutor (1983), and Joysticks (1983). 

Joysticks was obviously made by a cinematic genius. Not only was it a teen sex comedy (one of the most lucrative film genres of the day), but it was also about video games and set in an arcade! What could be more appealing to teenagers of the early 1980s? 

I don’t think we thought Joysticks was as good as some of the other movies in the genre. But it did have video games, naked ladies and fart jokes, so we enjoyed it. But unlike Spring Break, which we watched three times before having to return it the next day, we only watched Joysticks once. Come to think of it, I also watched Spring Break a couple of times on late night TV over the years, but I never saw Joysticks again…

…until last #FridayNightAtTheHomeDriveIn. What made me do it? Nostalgia, of course. And I’ve been curious about this movie for some reason. Was it as bad as I remember it? I figured it would be horribly dated, in terms of the video game imagery. I also imagined that it would never deliver the goods as well as movies like Porky’s – but very few movies, if any, can live up to Bob Clark’s teen sex comedy masterpiece.

Oddly enough, Joysticks was made by Greydon Clark, an actual name in genre film circles – not as revered as Bob Clark, perhaps, but a person of some note, nevertheless. I recently featured one of his other movies at the home drive in, Angels’ Brigade (1979). I also have a surprising number of his films in my personal library: Black Shampoo, Hi-Riders, Without Warning, and Satan’s Cheerleaders. It seemed to me that Joysticks just might be a necessary addition to the collection. 

I am happy to report that Joysticks was everything I could have hoped for – and more! It was so over-the-top 1980s that it was a perfect time capsule. The nostalgia was on overdrive but, surprisingly, it did not feel as dated (in a bad way) as I thought it would. The video games actually looked pretty good to me, and they made me want to dig out my old Atari and start chomping on some dots. The movie also did a pretty good job of delivering on the promises that all teen sex comedies make; there were naked ladies, there were tasteless jokes, there were hapless losers, nerds and misfits who have to save the arcade from an unscrupulous businessman. This movie could be the Citizen Kane of video game teen sex comedies!

Joysticks (1983) is 100% certified #NotQuiteClassicCinema – and I am so glad that I finally watched it again. Perhaps if I had seen it on late night TV in the 1990s, I would have dismissed it as dated nonsense. But it has reached a point in the aging process where it is ripe for rediscovery – at least by people who have fond (ish) memories of seeing it back in the days of arcades and misspent quarters.