Frankenstein’s Daughter (1958) is, as of this blog post, my least popular Friday Night At The Home Drive-In tweet in a long time. Perhaps that says something about the movie, or its reputation. Or perhaps it’s just one of those Twitter anomalies. In any case, this is a movie that I first saw when I was fairly young – and then again several times over the years – so I’ve always quite liked it. But maybe it’s just another case of nostalgia working its magic on me…
Creature With the Atom Brain (1955) was produced by Sam Katzman. The last movie I wrote about that he produced was The Giant Claw (1957), which is a masterpiece of #NotQuiteClassicCinema – “the best of the worst” as some people have said – I’ll simply say that I loved it. Creature With the Atom Brain, on the other hand, is actually pretty good. Surprisingly serious and effective, in a way. This could be because it was written by Curt Siodmak, who is perhaps most famous for writing The Wolf Man (1941).Continue reading →
I remember when Friday the 13th Part VII: The New Blood (1987) first came out, I actually thought it looked kind of cool. I had hated part five (as most fans did at the time, but as I wrote a while back, it’s really grown on me over the years). I was also annoyed by part six (basically because I didn’t think that Jason should come back after being destroyed at the end of part four), so I actually didn’t watch it for years (but when I finally did, I loved it). When Friday the 13th Part VII: The New Blood came out, I hadn’t been excited to see a new Friday the 13th movie since part four – but this movie changed that (at least a little).Continue reading →
As I’ve mentioned a few times, I fondly remember watching a TV show called Not Quite Classic Theatre when I was young. This is how I was introduced to many horror and sci-fi movies from the 1950s. I happily discovered that some of the movies I can remember from the show have been included in a DVD set from Universal called The Classic Sci-Fi Ultimate Collection. This led me to believe that the 10 movies in this set were likely part of a package that Universal licensed to Not Quite Classic Theatre for broadcast all those years ago. Re-watching them all now, many years later, has been an exciting trip down memory lane.
The Leech Woman (1960) is the final movie in the set. The fact that it came out in 1960 may be an indication that the glory days of 1950s monster movies were coming to an end. I don’t remember seeing The Leech Woman on Not Quite Classic Theatre back in the day, but I may well have. As I’ve said before, many of those films are lost in time to me now. They may come back to me if I see them again someday, but I wouldn’t want to count on that. Not Quite Classic Theatre used to show three movies starting at 10:00 PM. By the time the third one came on, my attention may have been somewhat less than perfect. Continue reading →
I saw Not of This Earth(1988) long before I ever saw the original Not of This Earth (1957), which makes it clear that Not of This Earth (1957) was NOT one of the movies I saw on Not Quite Classic Theatre back in the day. As I recall it, Not of This Earth (1988) featured a lot of nudity, care of recently retired porn star Traci Lords. Some might say it was a minor sleaze masterpiece – which raises the question: How could this in any way relate to the original Not of This Earth (1957)? Continue reading →
The first thing that I noticed when I watched The Giant Claw (1957), is that it’s a lot like The Deadly Mantis (1957) – at least at first. So much so, that I found myself thinking “Didn’t I just write about this a few months back?”
Both movies sort of begin in Canada, at the DEW Line – or Distant Early Warning Line. This was a system of radar stations in the arctic that would be able to detect nuclear missiles (or any other attack) coming from the U.S.S.R. and heading for the U.S.A.. In both movies, the DEW Line seems to be manned by U.S. military people. In reality, I think it was a mix of U.S. and Canadian personnel, but I don’t really know a lot about it.Continue reading →
Lately I’ve been watching a lot of monster movies made in the late 1950s. 1957 and 1958 were both particularly good years for mad scientists and giant mutant beasts. The trend continued through 1959 and into the 1960s, with plenty of good sci-fi horror films still left to come. I was surprised to discover that The Neanderthal Man (1953) predated all of those great movies by several years. And yet it feels very much like it’s part of the set.
I suppose it’s like Black Christmas (1974) and The Texas Chainsaw Massacre (1974) coming out four years before the slasher genre officially kicked off with Halloween (1978). But unlike Black Christmas (1974) and The Texas Chainsaw Massacre, The Neanderthal Man Is not a well remembered and loved fan favourite. In fact, I don’t think I had ever heard of it before I first watched it a few years ago. And soon afterwards I forgot that I’d ever seen it. Considering that I seem to be obsessed with 1950s horror and sci-fi movies right now, I figured it was high time that I checked out The Neanderthal Man again.Continue reading →
I Was a Teenage Werewolf (1957) is one of the most famous B-movies, teen movies, and werewolf movies in the history of cinema – or at least it is to me. Even as a kid, I knew about this movie. I’d heard about it, read about it, and seen pictures from it in books and magazines. Of course I’d never SEEN it, but that’s the way it was back then. No internet, no video stores – only late night TV could possibly give me an opportunity to experience this movie, and that just never quite happened. Continue reading →
Attack of the Crab Monsters (1957) is another early-ish sci-fi horror film by Roger Corman. It stars Richard Garland, who was married to Beverly Garland for a few years. I’ve mentioned her before, as the star of The Alligator People (1959). Richard and Beverly divorced in 1956, the year before Attack of the Crab Monsters came out. Coincidentally, the movie was released as part of a double feature with Not of This Earth (1957), which starred Beverly Garland. Continue reading →
Legend has it that Peter Lorre was so appalled by the script for The She-Creature (1956) that he immediately fired his agent for trying to convince him to play a part in it. I have no idea if this is true, but it’s a great story – and perhaps a great introduction to this somewhat lesser known monster movie from 1956. Continue reading →